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Rezumatul textului Moonlight Sonata în engleza... Va roog
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Piano Sonata No. 14 in C sharp minor "Una quasi Fantasia", Op. 27, No. 2, popularly known as the Moonlight Sonata, is a piano sonata by Ludwig van Beethoven. Completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi, this is one of the most popular compositions by Beethoven piano.
Name
The first edition of the score is headed Sonata quasi Fantasia UNA, a title that shares work with its companion piece, Op. 27, No. 1 Grove Music Online translates the Italian title as "Sonata in the manner of a fantasy".
The name "Moonlight Sonata" has its origins in the observations of the German poet and music critic Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the "Moonlight Sonata" ( "Mondscheinsonate" in German) was used in German and English publications. Later in the nineteenth century, it can be said that the sonata was "universally known" by that name.
Many critics have objected to the subjective nature of Romantic title "Moonlight", which was sometimes called "a misleading approach to a movement with almost the character of a funeral march" and "absurd". Other critics have approved of the nickname, finding it evocative or in line with their own associations with work.Gramophone founder Compton Mackenzie found the title of "harmless", noting that "it is silly for austere critics to work at a state nearly anger hysterical with poor Rellstab "and adding," what these critics austere fail to understand is that if the general public responded to the suggestion of moonlight in this music stands Rellstab would long ago have been forgotten. "
Form
Although there is no direct evidence about the specific reasons why Beethoven decided to title both the Op. 27 works as Sonata quasi Fantasia UNA could be significant that the structure of the paper is not respected traditional free regime between classic fast-slow - fast. Instead, the end Sonata has a weighted trajectory, with the rapid music held off until the third movement. In its analysis, German critic Paul Bekker states that "sonata-allegro opening movement gave the work a character ... clear from the outset that the next move could supplement but not change. Beethoven rebelled against this determinative quality in the first movement. He wanted a prelude, an introduction, not a proposition. "
Sonata consists of three movements:
1.Adagio Sostenuto
2.Allegretto
3 Presto agitato
Adagio Sostenuto
The first movement, in C♯ minor, is written in a form approximate truncated sonata. The movement opens with an octave in the left hand and a triplet configuration right. A melody that Hector Berlioz called a "complaint" mostly right, is played against a triplet ostinato accompanying rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly" and the loudest gets is mezzo forte or "moderately loud".
Adagio Sostenuto has made a strong impression on many listeners; for instance, Berlioz said of it that "is one of those poems that human language does not know how to qualify." Beethoven's pupil Carl Czerny called it a "night scene where a ghostly voice sounds sad remote". The movement was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Czerny, "Surely I've written better things."